Following the release of Development Hell in April, Hideous Sun Demon have returned with a new clip for the EP’s first single ‘Gimmicks’, that slings the band outrageously into the corporate world against the track’s frantic and contagious energy.

Following the release of Development Hell in April, Hideous Sun Demon have returned with a new clip for the EP’s first single ‘Gimmicks’, that slings the band outrageously into the corporate world against the track’s frantic and contagious energy.
We check in with local folk-rock guy Al Matcott to find out what he’s been up to during Melbourne’s latest snap lockdown.
With their upcoming EP due to be released on the 30th of June, Reality Instructors have gifted us their second and final single release from the forthcoming drop – ‘Finished In My Head’ is a frenetic post-punk blitz that doubles as a powerful insight into vocalist Dan Pash’s experiences with hearing loss.
With the release of their debut album i don’t think that i have what you want last month, garage-punk duo Kill Bell have announced themselves as a band to watch. After two years spent playing around Melbourne, the inner-north rockers narrowed down their maiden LP to a nine track microcosm of quintessential punk sound with an experimental adorning.
Following on from the release of their latest single ‘Dead Eyes’, rising synth-pop duo Cynthia have returned today to build on the immersive world they’re creating, with an evocative visual accompaniment that elevates the track’s turbulent grooves and sinister atmosphere into something all the more unnerving.
A compilation of songs old and new, Glauber Who?’s new album A Night Out with G Man is a warm yet melancholic dose of blues. We caught up with the man himself to get the stories behind the tracks.
Released back in March, Full Power Happy Hour’s debut is an evocative introduction to their brand of heartfelt alt-country. After completing a tour of the East Coast earlier this year, the five-piece band have upcoming shows in their hometown of Meanjin/Brisbane, and in the lead-up singer-songwriter Alex Campbell has kindly provided us with an insight into the stories that make up the group’s self-titled album.
On their third record Let’s Not (And Say We Did), Sydney noise-rockers Zeahorse present an eight-track cacophony, fuelled by big baritone guitar riffs and visceral, incisive social commentary. We got in touch with lead singer, Morgan Anthony, to walk us through the latest record.
Trading abrasive abnegation for a newly found optimism, Danish post-punk group Iceage have continued their reinvention with Seek Shelter, the band’s fifth studio album that asserts their bold mantra as undeniably joyous.
Following the release of ‘Stranger’ over the weekend via Swirl Records, captivating Adelaide songwriter Jess Johns has shared a first look at the hazy new clip that accompanies her evocative sophomore single with us today.
Following the release of her debut solo single ‘This Doubt’ earlier this year, today we have a pleasure of sharing the new clip from Darcy Rock, a captivating visual accompaniment that elevates the track’s illusive atmosphere and turbulent themes into something all the more enigmatic.
Today we have the pleasure of sharing a first look at ‘Butterfinger Hands’, the disorientating debut single from wobbly-pop group Carpet Burn’s forthcoming 7” I Can’t Believe It’s Not Carpet Burn, which is set to drop next month through Spoilsport Records.